I am interested in the finitude of the pastoral landscape. Paintings that describe inviting picturesque sweeps of countryside appeared on Roman walls and functioned as backdrops through the Renaissance, however the genre really came into its own during the Baroque period under the influence of Claude Lorrain. These idealized views combine and recombine motifs that evoke Arcadia, the land of Pan in ancient Greece: long vistas framed by large trees show glimpses of water, shepherds, livestock, and mythological figures. A viewer can also always find evidence of civilization, sometimes in the form of architectural capriccios, sometimes in the form of mercantilism. The genre remained hugely popular until the end of the 19th century when the bucolic pastoral lost cohesion; these ecological fantasies, which present the holistic ingredients of existence, seem to break down in the face of modernity

The paintings presented here are made with watercolor on panels treated with absorbent ground. Flat sheets of styrofoam were laid on the surface of the panels while the watercolor was wet and removed after dry to create the spongy distortions.